When I receive a script, I look for three things: the emotional beat, the visual metaphor, and the point of tension. I strip away unnecessary clutter and focus on composition, lighting, and silhouette to communicate complex ideas instantly.
Whether it's a moment of high drama or quiet intimacy, I build the frame to serve the narrative's core intent. I used flat, cold palettes to represent the 'grind' of busywork, and introduced warm, graphic pops of color when the 'correct' strategy was applied.
closing sale with confidence.
invested his valuable time, but Deal fell through.
We are wired to seek confirmation—and ignore what challenges us.
They failed to dig deeper—and missed the fact that the key decision maker wasn't truly committed.
